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The Adolescent Brain Cognitive Development (ABCD) Study SM is the largest long-term study of brain development and child health in the United States. The National Institutes of Health (NIH) funded leading researchers in the fields of adolescent development and neuroscience to conduct this ambitious project. The ABCD Research Consortium consists of a Coordinating Center, a Data Analysis, Informatics & Resource Center, and 21 research sites across the country, which have invited 11,880 children ages 9-10 to join the study. Researchers will track their biological and behavioral development through adolescence into young adulthood.

Arts measures in ABCD include how can arts experiences be best used to enhance development of each individual? How can arts experience be best used to promote health and address developmental disorders? And also, how can neuroscience research provide a foundation for rational approaches to how we integrate arts into development?

ABCD enables us to track a trajectory of broad measures of cortical area thickness of the brain over time and see whether individuals keep on with the mean, go higher, lower, and so forth. And what factors might affect those trajectories.The data shows the relationship between music engagement and brain and behavioral developmental trajectories in childhood and adolescence, using rich characterization of brain, behavior, demographics, and genetics available in ABCD.

Arts experiences in ABCD are captured largely as part of something called the activities questionnaire, which is a pretty detailed questionnaire given to parents, which includes detailed information about participation in a wide range of activities, which include many different sports, but also performance in the arts, music, dance, drama, visual and crafts. Activities such as active engagement, learning, lessons, playing in bands, creating art (school, outside school, private lessons, and self-study). The data offers insights into effects of arts-related activities on cognitive outcomes like fluid and crystallized intelligence, executive function, working memory-specific measures, risk scores for IQ, and educational attainment.

Watch the recording of NADAC's webinar featuring Dr. Gay Dowling, Director of the Adolescent Brain Cognitive Development (ABCD) Project, and Dr. Iversen, a cognitive neuroscientist. Dr. Dowling provides an overview of the ABCD study, while Dr. Iversen discusses the arts-specific measures within the ABCD data and explains how these measures, combined with comprehensive brain and cognitive assessments, reveal the impact of the arts on brain development.

Additional ABCD resources:

• The Sound Health Network

• The ABSD Data Dictionary

• NIMH Data Archive

• ABCD GitHub

• ABCD Study Infographics

This data collection is comprised of responses from two sets of survey questionnaires, the basic Current Population Survey (CPS) and a survey administered as a supplement to the February 2013 basic CPS questionnaire. The supplement, on the topic of public participation in the arts in the United States, was sponsored by the National Endowment for the Arts.

The CPS, administered monthly, collects labor force data about the civilian noninstitutional population aged 15 years old or older living in the United States. Moreover, the CPS provides current estimates of the economic status and activities of this population which includes estimates of total employment (both farm and nonfarm), nonfarm self-employed persons, domestics, and unpaid helpers in nonfarm family enterprises, wage and salaried employees, and estimates of total unemployment. The basic CPS data are provided on labor force activity for the week prior to the survey. In addition, CPS provides respondents' demographic characteristics such as age, sex, race, marital status, educational attainment, family relationship, occupation, and industry.

In addition to the basic CPS questions, the February 2013 Annual Arts Basic Survey (AABS) questions were asked of the CPS respondent and spouse as well as another randomly selected household member aged 18 or older and his/her spouse. About one-quarter of the sampled households were asked the supplement questions. Interview numbers 3 and 7 were asked the supplement questions. If the selected person had a spouse or partner then questions were also asked of the spouse/partner. The supplement contained questions about the sampled member's participation in various artistic activities from February 2012 through February 2013. Questions were asked about the type of artistic activity attended including attending a live music, theater, or dance performance. Questions also included attending a live book reading or a poetry or storytelling event, an art exhibit, going to the movies or to see a film, or taking any lessons or classes in music or music appreciation. Interviews were conducted during the period of February 17-23, 2013. The total sample size of the 2013 AABS was 150,827 Americans, ages 18 and older.

This data collection is comprised of responses from two sets of survey questionnaires, the basic Current Population Survey (CPS) and a survey administered as a supplement to the February 2014 basic CPS questionnaire. The supplement, on the topic of public participation in the arts in the United States, was sponsored by the National Endowment for the Arts.

The CPS, administered monthly, collects labor force data about the civilian noninstitutional population aged 15 years old or older living in the United States. Moreover, the CPS provides current estimates of the economic status and activities of this population which includes estimates of total employment (both farm and nonfarm), nonfarm self-employed persons, domestics, and unpaid helpers in nonfarm family enterprises, wage and salaried employees, and estimates of total unemployment. The basic CPS data are provided on labor force activity for the week prior to the survey. In addition, CPS provides respondents' demographic characteristics such as age, sex, race, marital status, educational attainment, family relationship, occupation, and industry.

In addition to the basic CPS questions, the February 2014 Annual Arts Basic Survey (AABS) questions were asked of the CPS respondent and spouse as well as another randomly selected household member aged 18 or older and his/her spouse. About one-quarter of the sampled households were asked the supplement questions. Interview numbers 3 and 7 were asked the supplement questions. If the selected person had a spouse or partner then questions were also asked of the spouse/partner. The supplement contained questions about the sampled member's participation in various artistic activities from February 2013 through February 2014. Questions were asked about the use of pottery, ceramics, jewelry, leatherwork, metalwork and woodwork. They were also asked about weaving, crocheting, needlepoint, knitting, sewing, and whether they played a musical instrument. Questions also included doing any acting, singing or dance. Interviews were conducted during the period of February 16-22, 2014. The total sample size of the 2014 AABS was 150,443 Americans, ages 18 and older.

This data collection is comprised of responses from two sets of survey questionnaires, the basic Current Population Survey (CPS) and a survey administered as a supplement to the February 2015 basic CPS questionnaire. The supplement, on the topic of public participation in the arts in the United States, was sponsored by the National Endowment for the Arts.

The CPS, administered monthly, collects labor force data about the civilian noninstitutional population aged 15 years old or older living in the United States. Moreover, the CPS provides current estimates of the economic status and activities of this population which includes estimates of total employment (both farm and nonfarm), nonfarm self-employed persons, domestics, and unpaid helpers in nonfarm family enterprises, wage and salaried employees, and estimates of total unemployment. The basic CPS data are provided on labor force activity for the week prior to the survey. In addition, CPS provides respondents' demographic characteristics such as age, sex, race, marital status, educational attainment, family relationship, occupation, and industry.

In addition to the basic CPS questions, the February 2015 Annual Arts Basic Survey (AABS) questions were asked of the CPS respondent and spouse as well as another randomly selected household member aged 18 or older and his/her spouse. About one-quarter of the sampled households were asked the supplement questions. Interview numbers 3 and 7 were asked the supplement questions. If the selected person had a spouse or partner then questions were also asked of the spouse/partner. The supplement contained questions about the sampled member's participation in various artistic activities from February 2014 through February 2015. Questions were asked about the type of artistic activity attended including attending a live music, theater, or dance performance. Questions also included attending a live book reading or a poetry or storytelling event, an art exhibit, going to the movies or to see a film, or taking any lessons or classes in music or music appreciation. Interviews were conducted during the period of several days in February 2015. The total sample size of the 2015 AABS was 151,788 Americans, ages 18 and older.

Founded at the Detroit Institute of Arts in 1954, the Archives of American Art collects, preserves, and makes available primary sources documenting the history of the visual arts in the United States. The collection contains items of American culture over the past 200 years and consists of more than 20 million letters, diaries, scrapbooks, manuscripts, financial records, photographs, films, and audiovisual recordings of artists, dealers, collectors, critics, scholars, museums, galleries, associations, and other art world figures. The Archives also houses the largest collection of oral histories anywhere on the subject of art.

Data users can begin searching through the collections on the Explore the Collections page.

This study examined the effects of public art installations on firearm violence and youth firearm victimization in Detroit. The study also examined the potential moderating effects of the level of community engagement in the development of public artworks on the relationship between public artworks and firearm violence in Detroit. The researchers hypothesized that installations of public artworks would have protective effects for firearm incidents and youth-involved firearm incidents, as measured by completely de-identified crime data provided to their research team by the Michigan State Police (data set not publicly available).

Through this study, the researchers also collected survey and interview data from adults to understand the costs of public artworks and the level of community engagement in the development of public artworks. The researchers hypothesized that higher levels of community engagement in the development of public artworks would enhance the protective effects of public art on firearm violence and youth firearm violence victimization because it would foster protective social resources in communities, such as social capital and social control, that are critical for reducing crime and violence. The researchers also conducted preliminary cost-effectiveness and cost-benefit analyses to inform practitioners and policymakers about the feasibility of expanding programming for community-engaged art installations.

The Specific Aims of This Study Are As Follows:

• Aim 1: Examine the effect of art installation projects on total firearm crime incidents involving youth under 18.
• Aim 2: Examine how the level of community engagement in the art installation projects may enhance the effects on firearm crime incidents.
• Aim 3: Conduct a cost-effectiveness analysis of different types of public art and firearm incidents prevented.

Conducted by the Urban Institute, the Cultural Participation Survey 1998 was the first in a series of surveys evaluating the Community Partnerships for Cultural Participation (CPCP) initiative. In the CPCP initiative, a total of ten community foundations around the country received grants from the Lila Wallace-Reader's Digest Fund to induce more people to attend arts and cultural events, encourage people who attend to contribute their time and money as well, and attract people who do not usually attend. The Urban Institute was commissioned to evaluate the initiative through surveys of households and organizations in five of these communities.

The Cultural Participation Survey 1998 measured leisure time activities, organizational involvement attendance at arts and culture events, and personal participation in arts and cultural activities by individuals in five geographic areas: the Kansas City metropolitan area; Humboldt County, California; Mayfair (San Jose), California; Milpitas, California; and Gilroy, California. From November 10, 1998 through December 12, 1998, a total of 2,406 computer-aided telephone interviews were conducted across all five geographic areas.

The Fast Response Survey System (FRSS) was established in 1975 by the National Center for Education Statistics (NCES), United States Department of Education. FRSS is designed to collect issue-oriented data within a relatively short time frame. FRSS collects data from state education agencies, local education agencies, public and private elementary and secondary schools, public school teachers, and public libraries. To ensure minimal burden on respondents, the surveys are generally limited to three pages of questions, with a response burden of about 30 minutes per respondent. Sample sizes are relatively small (usually about 1,000 to 1,500 respondents per survey) so that data collection can be completed quickly. Data are weighted to produce national estimates of the sampled education sector. The sample size is large enough to permit limited breakouts by classification variables. However, as the number of categories within the classification variables increases, the sample size within categories decreases, which results in larger sampling errors for the breakouts by classification variables.

The Arts Education Surveys of Elementary School Teachers provide national estimates on arts education and arts instructors in public elementary schools during the 2009-10 school year. This data collection contains three surveys that provide information about music specialists, visual arts specialists, and self-contained classroom teachers. These three surveys are part of a set of seven surveys that collected data on arts education during the 2009-10 school year. In addition to these elementary teacher surveys, the set includes a survey of elementary school principals, a survey of secondary school principals, and two secondary teacher-level surveys. A stratified sample design was used to select teachers and arts specialists (music and visual arts) for the Arts Education Surveys of Elementary School Teachers. Data collection was conducted September 2009 through August 2010. Altogether, 1,148 eligible music specialists, 918 eligible visual arts specialists, and 734 eligible self-contained classroom teachers completed the surveys by web, mail, fax, or telephone.

The elementary teacher surveys collected data on the availability of curriculum-based arts education activities outside of regular school hours, teaching load of music and visual arts specialists in elementary schools, teacher participation in various professional development activities, the ways in which self-contained classroom teachers teach arts education as part of their instructional program, and teachers' use of formal methods of assessment of students' achievement in the arts. Furthermore, teachers were also asked to provide administrative information such as school level, school enrollment size, school community type, and percent of students eligible for free or reduced-price lunch.

The Fast Response Survey System (FRSS) was established in 1975 by the National Center for Education Statistics (NCES), United States Department of Education. FRSS is designed to collect issue-oriented data within a relatively short time frame. FRSS collects data from state education agencies, local education agencies, public and private elementary and secondary schools, public school teachers, and public libraries. To ensure minimal burden on respondents, the surveys are generally limited to three pages of questions, with a response burden of about 30 minutes per respondent. Sample sizes are relatively small (usually about 1,000 to 1,500 respondents per survey) so that data collection can be completed quickly. Data are weighted to produce national estimates of the sampled education sector. The sample size is large enough to permit limited breakouts by classification variables. However, as the number of categories within the classification variables increases, the sample size within categories decreases, which results in larger sampling errors for the breakouts by classification variables.

The Arts Education Surveys of Secondary School Teachers provide national estimates on arts education and arts instructors in public secondary schools during the 2009-10 school year. This data collection contains two surveys that provide information about music specialists and visual arts specialists. These two surveys are part of a set of seven surveys that collected data on arts education during the 2009-10 school year. In addition to these secondary teacher surveys, the set includes a survey of elementary school principals, a survey of secondary school principals, and three elementary teacher-level surveys. A stratified sample design was used to select music specialists and visual arts specialists for the Arts Education Surveys of Secondary School Teachers. Data collection was conducted September 2009 through July 2010. Altogether, 1,065 eligible music specialists and 1,046 eligible visual arts specialists completed the surveys by web, mail, fax, or telephone.

The secondary teacher surveys collected data on the availability of curriculum-based arts education activities outside of regular school hours; teaching load of music and visual arts specialists in secondary schools; teacher participation in various professional development activities and the perceived impact of such participation on teaching; and teachers' use of formal methods of assessment of students' progress and achievement in the arts. Furthermore, teachers were also asked to provide administrative information such as school level, school enrollment size, school community type, and percent of students eligible for free or reduced-price lunch.

The Fast Response Survey System (FRSS) was established in 1975 by the National Center for Education Statistics (NCES), United States Department of Education. FRSS is designed to collect issue-oriented data within a relatively short time frame. FRSS collects data from state education agencies, local education agencies, public and private elementary and secondary schools, public school teachers, and public libraries. To ensure minimal burden on respondents, the surveys are generally limited to three pages of questions, with a response burden of about 30 minutes per respondent. Sample sizes are relatively small (usually about 1,000 to 1,500 respondents per survey) so that data collection can be completed quickly. Data are weighted to produce national estimates of the sampled education sector. The sample size is large enough to permit limited breakouts by classification variables. However, as the number of categories within the classification variables increases, the sample size within categories decreases, which results in larger sampling errors for the breakouts by classification variables.

The Elementary School Arts Education Survey, Fall 2009 data provide national estimates on student access to arts education and resources available for such instruction in public elementary schools during fall 2009. This is one of a set of seven surveys that collected data on arts education during the 2009-10 school year. In addition to this survey, the set includes a survey of secondary school principals, three elementary teacher-level surveys, and two secondary teacher-level surveys. A stratified sample design was used to select principals for this survey. Data collection was conducted September 2009 through June 2010, and 988 eligible principals completed the survey by web, mail, fax, or telephone.

The elementary school survey collected data on the availability and characteristics of music, visual arts, dance, and drama/theatre instruction; the type of space used for arts instruction; the availability of curriculum guides for arts teachers to follow; the availability of curriculum-based arts education activities outside of regular school hours; and whether those teaching the subject are arts specialists. Principals also reported on school or district provision of teacher professional development in the arts; arts education programs, activities, and events; and school-community partnerships. Principals were also asked to provide administrative information such as school instructional level, school enrollment size, community type, and percent of students eligible for free or reduced-price lunch.

The Fast Response Survey System (FRSS) was established in 1975 by the National Center for Education Statistics (NCES), United States Department of Education. FRSS is designed to collect issue-oriented data within a relatively short time frame. FRSS collects data from state education agencies, local education agencies, public and private elementary and secondary schools, public school teachers, and public libraries. To ensure minimal burden on respondents, the surveys are generally limited to three pages of questions, with a response burden of about 30 minutes per respondent. Sample sizes are relatively small (usually about 1,000 to 1,500 respondents per survey) so that data collection can be completed quickly. Data are weighted to produce national estimates of the sampled education sector. The sample size is large enough to permit limited breakouts by classification variables. However, as the number of categories within the classification variables increases, the sample size within categories decreases, which results in larger sampling errors for the breakouts by classification variables.

The Secondary School Arts Education Survey, Fall 2009 data provide national estimates on student access to arts education and the resources available for such instruction in public secondary schools during fall 2009. This is one of a set of seven surveys that collected data on arts education during the 2009-10 school year. In addition to this survey, the set includes a survey of elementary school principals, three elementary teacher-level surveys, and two secondary teacher-level surveys. A stratified sample design was used to select principals for this survey. Data collection was conducted September 2009 through June 2010, and 1,014 eligible principals completed the survey by web, mail, fax, or telephone.

The secondary school survey collected data on the availability of music, visual arts, dance, and drama/theatre instruction; enrollment in these courses, the type of space used for arts instruction, the availability of curriculum guides for arts teachers to follow, and the number of arts teachers who are specialists in the subject. Principals reported on graduation requirements for coursework in the arts; school or district provision of teacher professional development in the arts; and arts education programs, activities, and events. Principals also reported on community partnerships and support from outside sources for arts education. Furthermore, principals were also asked to provide administrative information such as school instructional level, school enrollment size, community type, and percent of students eligible for free or reduced-price lunch.

The General Social Survey (GSS) collects information from the general public on a wide variety of subjects, including attitudes toward social issues, religion, education, jobs and the economy, government and other institutions, politics, and policy issues. The 2012 merged data used a rolling panel design. The first panel is the 2008 GSS as the base year. The second panel is a subsample of the GSS cases from 2008 that was selected to be reinterview for the GSS in 2010 along with a new cross-section of cases. The third panel is the same subsample of 2008 GSS cases reinterviewed for the GSS in 2012 along with a new cross-section of cases. The 2012 GSS merged data file has the third wave of the 2008 respondents (N=1295), the second wave of the 2010 respondents (N=1,551), and the first wave (a cross-section) of 2012 respondents (N=1,974).

Besides the standard GSS topics, such as attitudes toward social issues, religion, education, jobs and the economy, government and other institutions, politics, and policy issues, the 2012 GSS data included a "Cultural Module," a battery of questions focused on culture and the arts. Questions asked if the respondent attended various performances or exhibits, who they attended with, if the performance attended was free, factors that impacted the decision to attend or not attend. The merged data also include demographic information including age, sex, race, and income. This data collection also contains questions asked in the 2008 GSS and the 2010 GSS.

Cross-sectional data for the 2022 General Social Survey (GSS), along with an updated cumulative file for 1972-2022, is available at the project's data portal, along with the 2022 GSS Documentation and Public-use File Codebook. The GSS Data Explorer has also been updated. The 2022 GSS provides opinion data at a critical time in U.S. history as we move forward from the COVID-19 pandemic and continue to understand changes in post-pandemic society.

Sponsored by the National Endowment for the Arts, the 2022 GSS Arts Module was fielded between July 11th and September 21st, 2022, as a web-only follow-on study to the GSS and included questions about changes in individual's recreational activities before and during the COVID-19 pandemic. The Arts Module's final sample size is 843 individuals (from 2,896 eligible GSS baseline respondents). To identify the individuals in the module, use the "NEASTATUS" variable. Additional information about weights for the module is also provided. Access the 2022 GSS Users Guide here.

The 2022 GSS Arts Module includes 24 measures of respondents' participation in the arts through attendance at live performances, exhibits, movies, and the like, as well as consuming culture through online galleries, reading, or watching a recorded event. Respondents are asked to report about their participation over the past 12 months and to compare this to what they did from March 2020 to March 2021.

The 2022 GSS is the most recent in a series of modules covering similar topics. For example, the 1993 Culture Module included questions on musical preferences, leisure and recreational activities, and attitudes toward art and literature. The 1998 Cultural Module included questions on attendance in arts events, personal engagement in artistic activities, attitudes toward art and literature, and attitudes toward arts funding. The 2002 Cultural Module included questions on musical preferences, attendance at arts events, and personal engagement in artistic activities. In 2002, another module on the "Information Society" included questions on the use of the Internet to obtain information about the arts (e.g., how people use the Web to learn about music, the visual arts, and literature). The 2016 Arts and Culture Module added in new variables covering information regarding social media use, suicide, hope and optimism, arts and culture, racial/ethnic identity, flexibility of work, spouses work and occupation, home cohabitation, and health.

About GSS:

The General Social Survey (GSS) was launched by National Opinion Research Center (NORC) in 1972 as an annual national research project to monitor Americans' shifting attitudes on social issues. NORC conducted the GSS almost every year until 1994, when it became biennial. NORC has also widened the scope of the GSS over the decades. With every survey round, GSS questions changed to reflect emerging trends such as the COVID-19 pandemic, political polarization, and crime.

The National Children's Study (NCS), authorized by the Children's Health Act of 2000, was a large-scale study to investigate environmental influences on child health and development. The NCS Vanguard (Pilot) Study, launched in 2009, tested methods for the larger Main Study and enrolled approximately 5,000 children across 40 locations by July 2013. The Main Study followed 100,000 children from before birth to age 21. On December 12, 2014, the NIH Director closed the study per advice from the expert review group.

The NCS Archive, created after the study's closure, offers researchers access to over 250,000 data and samples, including nearly 19,000 biological and 5,500 environmental samples from the Vanguard Study. The archive contains study visit data from preconception to 42 months post-birth, neuro-psychosocial and cognitive assessments, physical examinations, study protocols, operation manuals, data collection instruments, and more.

The NCS Archive includes various arts-related variables that were part of the study questionnaires and interviews conducted with participants and covered a range of activities and exposures. Specifically, the study captured data on children's participation in artistic activities, including music, dance, drama, and visual arts. Information was collected on the frequency and type of arts engagement, such as attending classes, participating in performances, or creating art. Examples include:

• DANCE_DAYS: The average number of days per week someone dances with the child.

• THEATER_DAYS: The average number of days per week someone engages in theater, play-acting, or make-believe with the child.

• MUSIC_DAYS: The average number of days per week someone plays musical instruments, sings, or listens to music with the child.

• DRAWPAINT_DAYS: The average number of days per week someone spends drawing or painting with the child.

• ART_EVENT_DAYS: The average number of days per week someone takes the child to arts-related events outside the home.

• DAYS_READ: The number of days in the past week that family members read stories to the child.

• TOTAL_NUMBER_BOOKS: The total number of children's books in the home, including library books.

• FREQ_BOOKS: The average number of days per week someone reads or looks at books with the child.

• READ_STORIES: The number of days per week stories are read to the child.

• TELL_STORIES: The number of days per week stories are told to the child.

The NCS Archive is available in NICHD's Data and Specimen Hub (DASH) for researchers to request access and conduct their own studies. For more information, researchers can consult the National Children's Study Archive: Study Description and Guide or contact NICHD's Data and Specimen Hub at [email protected].

The Public Art Archive (PAA) is a free, continually growing, online and mobile database of completed public artworks. Its purpose is to:

• Gather documentation about public artworks into one central repository.
• Support the standardization and adoption of best practices in cataloging public art.
• Unite records from public art organizations and artists into one comprehensive resource.
• Raise awareness about the value of public art and advocates for public artists.
• Help make it possible for stakeholders to advance the professionalism of public artists and practitioners in allied fields.

The Archive is free to contribute to and interact with from a desktop, tablet or mobile device. Managed by a team of curators, public art administrators, information specialists, web developers, graphic designers, and arts advocates, PAA is supported by a nonprofit arts service organization, WESTAF. Copyright holders retain their rights to any data and media that the Archive displays. WESTAF retains copyright over the compilation that is the Public Art Archive service. The Archive is built on a standardized and highly rigorous metadata structure and controlled taxonomies to describe artworks in a consistent manner. The main goal of this database is to provide accurate documentation. Integrated with Google Maps, PAA supports mapping features for virtual or on foot exploration. The database is searchable with filters that aid in research and education.

The State-Level Estimates of Arts Participation Patterns (2012-2015) highlights selected arts-participation rates for all 50 U.S. states and the District of Columbia. These summary statistics were derived from the following studies: ANNUAL ARTS BASIC SURVEY, 2015 [UNITED STATES]; ANNUAL ARTS BASIC SURVEY, 2014 [UNITED STATES]; and SURVEY OF PUBLIC PARTICIPATION IN THE ARTS (SPPA), 2012 [UNITED STATES].

The following tables are provided:

• Tables 1 and 1a-1d - Events Attended: Reports AABS 2015 data on attendance at visual and performing arts events.

  Includes - attending a live music, theater, or dance performance; attending a live book reading, poetry, or storytelling event; going to see an art exhibit; going to a movie; and touring/visiting buildings, neighborhoods, parks, or monuments for their historical, architectural, or design value.

• Table 2 - Literature Read: Shows AABS 2015 data on literary-reading rates.

  Includes - reading novels, short stories, poems, or plays.

• Table 3 - Performed or Created Artworks: Shows AABS 2014 data on personal performance and creation of artworks.

  Includes - making pottery, ceramics or jewelry; making leatherwork, metalwork, or woodwork; making weaving, crocheting, or other textile art; playing a musical instrument; acting; performing or practicing dance; doing social dancing; performing or practicing singing; creating films or videos; taking photographs for artistic purposes; creating other visual arts (e.g., paintings, sculpture, or graphic design; and doing creative writing.

• Table 4 - Arts Consumed via Electronic Media: Features SPPA 2012 data on arts consumption via electronic media.

  Includes - Use TV, Radio, and/or the Internet to watch, listen to, and/or download any: jazz; Latin, Spanish, or salsa music; classical music; opera; rock, pop, country, folk, rap, or hip-hop; musicals or stage plays; ballet, modern, or contemporary dance; other dance programs or shows; programs about visual arts such as painting, sculpture, graphic design, or photography; programs or information about books or writers, or other books, short stories, or poetry read out loud.

This data collection is comprised of responses from two sets of survey questionnaires, the basic Current Population Survey (CPS) and a survey administered as a supplement to the July 2012 basic CPS questionnaire. The supplement, on the topic of public participation in the arts in the United States, was sponsored by the National Endowment for the Arts.

The CPS, administered monthly, collects labor force data about the civilian noninstitutional population aged 15 years old or older living in the United States. Moreover, the CPS provides current estimates of the economic status and activities of this population which includes estimates of total employment (both farm and nonfarm), nonfarm self-employed persons, domestics, and unpaid helpers in nonfarm family enterprises, wage and salaried employees, and estimates of total unemployment. The basic CPS data are provided on labor force activity for the week prior to the survey. In addition, CPS provides respondents' demographic characteristics such as age, sex, race, marital status, educational attainment, family relationship, occupation, and industry.

In addition to the basic CPS questions, interviewers asked supplementary questions on public participation in the arts of two randomly selected household members aged 18 or older from about one-half of the sampled CPS households. Interviews were conducted during the period of July 15-21, 2012. The supplement contained questions about the sampled member's participation in various artistic activities from July 1, 2011 through July 1, 2012. If the selected person had a spouse or partner, then the respondent answered questions on behalf of their spouse/partner. Therefore, the spouse/partner responses are proxies. If a respondent was answering for themselves and on behalf of their spouse or partner, the respondent and spouse/partner questions followed the same path through the instrument. Spouse/partner questions were asked on core participation (Core 1 or Core 2), leisure activities (Module D), and the first four questions of Module A. The total sample size of the 2012 SPPA was 35,735 American adults, ages 18 and over.

The 2012 SPPA included two core components: a questionnaire used in previous years to ask about arts attendance; and a new, experimental module on arts attendance. In addition, the survey included five modules designed to capture other types of arts participation as well as participation in other leisure activities. Respondents were randomly assigned to either of the survey's core questionnaires, and then were randomly assigned to two of the remaining five SPPA modules. Questions were asked about the type of artistic activity, the frequency of participation, training and exposure, musical and artistic preferences, school-age socialization, and computer and device usage related to artistic information. The topics were separated into the five modules (each module was administered to only a portion of the sampled cases):

• Module A: Other Attendance and Music Preferences (reading, film, or sporting event attendance; other live performances; and music listening preferences)
• Module B: Accessing Art through Media (using media for participation in artistic events and frequency of participation in past year)
• Module C: Creating Arts through Media (participation in certain types of other leisure or artistic activities, public artistic performances, and using media to share activities in past year)
• Module D: Creating, Performing, and Other Activities (sport activities, other art activities, and musical performance activities in past year)
• Module E: Arts Learning (art related lessons or classes, respondent age during lessons/classes, location of lessons/classes, respondents' parents' education, and the participation of the respondents' school age children)

The Survey of Public Participation in the Arts (SPPA) 2022 collection is comprised of responses from two sets of surveys, the Current Population Survey (CPS) and the SPPA supplement to the CPS administered in July 2022. This supplement asked questions about public participation in the arts within the United States, and was sponsored by the National Endowment for the Arts.

The CPS, administered monthly by the U.S. Census Bureau, collects labor force data about the civilian, noninstitutionalized population aged 15 years or older living in the United States. The CPS provides current estimates of the economic status and activities of this population which includes estimates of total employment (both farm and nonfarm), nonfarm self-employed persons, domestics, unpaid helpers in nonfarm family enterprises, wage and salaried employees, and estimates of total unemployment. The basic CPS items in this data provide labor force activity for the week prior to the survey. In addition, the CPS provides respondents' demographic characteristics such as age, sex, race, marital status, educational attainment, family relationships, occupation, and industry.

In addition to the basic CPS questions, interviewers asked supplementary questions on public participation in the arts of two randomly selected household members aged 18 or older from about one-half of the sampled CPS households. The supplement contained questions about the respondent's participation in various artistic activities over the last year. If the selected respondent had a spouse or partner, then the respondent answered questions on behalf of their spouse/partner and the spouse/partner responses are proxies.

The 2022 SPPA included two core components: Core 1 (C1Q1A-C1Q17A) and Core 2 (C2Q1A-C2Q1R) asked respondents if they attended any artistic events or live performances, and if so, how often and where. Questions were also asked about any books the respondent may have read.

In addition, the SPPA supplement included four modules designed to capture other types of arts participation. The four modules were separated by topic:

• Module A (MAQ1A-MAQ5D) asked respondents if they used electronic devices or electronic media to watch or listen to artistic performances and if so, how often. Questions were also asked about sharing information related to artistic performances.
• Module B (MBQ1A-MBQ4A) and Module C (MCQ1A-MCQ7) asked if the respondent performed any artistic activities (e.g., singing, dancing, playing instrument, painting, photography, etc), and if so, how often and where. Questions were also asked about participation in certain hobbies such as exercising, sports activities, hunting, gardening, etc., and if so, how often.
• Module D (MDQ1A-MDQ4H) asked if you've ever taken lessons in music, photography, filmmaking, visual arts, acting, theater, dance, creative writing, art history, art or music appreciation, creative coding, computer animation, or digital art. A follow-up question (MDQ2) is asked about if the classes were taken in school. Another follow-up question (MDQ3) is then 3-2 asked if they have done that activity within the last 12 months. A final follow-up question (MDQ4) is then asked if they learned that activity through other means not involving lessons or classes.