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American Perceptions of Artists Survey 2002 (ICPSR 35571)

Released/updated on: 2015-05-31
Geographic coverage: District of Columbia, Seattle, United States, Chicago, California, New York (state), Cleveland, Washington, New York City, San Francisco, Illinois, Texas, Massachusetts, Ohio, Los Angeles, Boston, Houston
Time period: 2001-01-01--2002-01-01
The American Perceptions of Artists Survey 2002, sponsored by the Urban Institute and conducted by Princeton Survey Research Associates International (PSRAI), was a benchmark study of the general public's opinions about the lifestyles and work of artists in the United States. The purpose of the study was to examine public perceptions of artists from several angles, including general interest in news or current events related to artists; awareness of different arts disciplines; artists' contributions to society and their local communities; personal work as an artist and interaction with artists. The series consists of a national survey of adults in the continental United States and nine local surveys conducted in the following metropolitan areas: Boston, Chicago, Cleveland, Houston, Los Angeles, New York, San Francisco, Seattle, and Washington, D.C. Computer assisted telephone interviews (CATI) were conducted from May 21 to August 18, 2002. The number of respondents across the data files ranges from 500 to 5,507.
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American Symphony Orchestra Repertoires 1842-1970 [United States] (ICPSR 35235)

Released/updated on: 2015-01-23
Geographic coverage: United States
Time period: 1842-01-01--1970-01-01
American Symphony Orchestra Repertoires 1842-1970, sponsored by the Rockefeller Foundation and the Indiana University Foundation, is the result of 32 years of data collection efforts by Kate Hevner Mueller and John Henry Mueller, with assistance from numerous friends and colleagues including Elizabeth Kirkpatrick Vrenios, Ann Louise Davidson, and Mr. and Mrs. Robert Griffith. The study cataloged the repertoires of 27 major symphony orchestras in the United States from the 1842/1843 season through the 1969/1970 season, including the length of the pieces performed, the composers, and their nationalities. "Major" was defined as a symphony whose expenditures exceeded $500,000, as listed in 1972 by the American Symphony League. The population of repertoires included only regular subscription series concerts. The purpose of this data collection was to transfer these data to the computer so that future scholars may be spared the tedious tabulations and calculations which constitute the major drawback for socio-musical research. With the permission of the Indiana University Foundation, 127 years of symphony orchestra data are now easily accessible in an electronic format.
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Classical Music Consumer Segmentation Study 2002 [United States] (ICPSR 35535)

Released/updated on: 2015-03-19
Geographic coverage: United States
Time period: 2001-01-01--2002-01-01
The Classical Music Consumer Segmentation Study 2002 collected data on how Americans related to classical music and to their local orchestras. This study contains three data collection efforts: the National Survey, 15 Market Areas Survey, and the Ticket Buyers Survey. The National Survey collected data from a total of 2,200 telephone interviews with United States adults (age 18 and older), which were conducted in March 2001 using random-digit dialing. A series of four focus groups were conducted in November 2000 with orchestra ticket buyers and prospects (non-buyers) in Charlotte and St. Paul. The overall purpose of the focus group research was to test protocol for the national telephone survey and to probe specific behaviors, attitudes and opinions related to classical music participation. Data was collected on attitudes, behaviors, and opinions related to classical music participation. In addition to these questions, a subset of respondents who qualified as "potential classical music consumers" were also asked a series of questions about factors that affect their decisions to attend cultural programs and about their relationship with the classical music art form. The study paints a detailed picture of how consumers fit classical music into their lives -- listening to classical radio and recordings in their automobiles and homes, and attending live concerts in churches, schools and traditional concert venues. The 15 Market Areas Survey (the Local Surveys) collected data on approximately 750 telephone interviews which were completed in each of the 15 markets between August 2001 and March 2002. Orchestras whose market areas were surveyed: Brooklyn Philharmonic Orchestra, Charlotte Symphony Orchestra, Colorado Symphony Association, Detroit Symphony Orchestra, Fort Wayne Philharmonic Orchestra, Kansas City Symphony, Long Beach Symphony Association, Louisiana Philharmonic Orchestra, New World Symphony (Miami-Dade County, FL), Oregon Symphony Association (Portland, OR), Philadelphia Orchestra, Saint Louis Symphony Orchestra, Saint Paul Chamber Orchestra, Symphony Society of San Antonio, and Wichita Symphony Society. In sum, a total of 11,318 interviews were completed. The geography to be sampled in each market was determined through an analysis of the orchestra's actual customer records and was defined as the area from which the orchestra draws approximately 85 percent of its ticket buyers. Each local market orchestra was also allowed a small number of discretionary questions. The 15 Market Areas Survey collected data from respondents in each of 15 orchestra markets on attitudes, behaviors, and opinions related to classical music participation. In addition to these questions, a subset of respondents who qualified as "potential classical music consumers" were also asked a series of questions about factors that affect their decisions to attend cultural programs and about their relationship with the classical music art form. The Ticket Buyers Survey (Subscriber and Single-Ticket Buyer Surveys) also collected data from the 15 orchestras. A total of 1,500 machine-readable questionnaires were mailed to a random sample of each orchestra's subscribers (750) and single-ticket buyers (750) in each of 15 orchestra markets between August 2001 and February 2002. Of the 10,098 valid responses received, 5,553 were from current subscribers, 1,657 from former subscribers who are current single-ticket buyers, and 2,888 from single-ticket buyers who are not former subscribers. Orchestra subscribers and single-ticket buyers in each of the 15 orchestra markets were asked questions on their attitudes, behaviors, and opinions related to classical music participation. Questions asked in these surveys were similar to the interview protocols for the national and local market surveys also conducted for this study. The study paints a detailed picture of how consumers fit classical music into their lives -- listening to classical radio and recordings in their automobiles and homes, and attending live concerts in churches, schools and traditional concert venues. Roughly 10 percent to 15 percent of Americans have what might be termed a close or moderately close relationship with classical music, and again as many have weaker ties. Across the 15 study cities, approximately one of four adults are prospects (i.e. potential orchestra ticket buyers). But only half of those who express the very highest levels of preference for attending classical music concerts actually attend, even infrequently. The Classical Music Consumer Segmentation Study was undertaken to improve understanding of symphony orchestra audiences and markets and to develop a conceptual model of the market place that can assist orchestras in "capturing additional market potential."
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Community Indicators Survey [1999-2002] (ICPSR 35578)

Released/updated on: 2016-05-26
Geographic coverage: North Carolina, Akron, Biloxi, Detroit, Charlotte, Palm Beach County, Indiana, Aberdeen, Columbus (Georgia), San Jose, Lexington, Myrtle Beach, State College, Camden, Macon, Milledgeville, Boulder, Kentucky, California, Kansas, Florida, Pennsylvania, Mississippi, Georgia, Fort Wayne, Superior City, Duluth, United States, Alabama, South Carolina, Tallahassee, Wichita, Columbia (South Carolina), Colorado, Bradenton, North Dakota, Wisconsin, Phenix City, Gary, St. Paul, South Dakota, Minnesota, New Jersey, Michigan, Miami, Long Beach, Grand Forks, Ohio, Philadelphia

The Community Indicators project is a research-based initiative that is part of the Knight Foundation's ongoing effort to learn more about the 26 communities it serves through its grant-making. To document changes in the quality of life in its communities, the foundation tracks a few key indicators over time. The project focuses on aspects of community life related to the six grant-making areas that are the priority of the Knight Community Partners Program. The Knight Community Partners Program prefers to make grants in the following six priority areas: education; the well-being of children and families; housing and community development; economic development; civic engagement and positive human relations; and the vitality of cultural life. The foundation expected to update both the community surveys and the community profiles approximately every three years.

Local area surveys were conducted in each of the 26 communities in both 1999 and 2002. In 2002, a number of the local area surveys were supplemented with regional surveys or surveys of a neighboring city. The 26 local areas surveyed in 1999 were: Milledgeville, GA; Long Beach, CA; Gary, IN; Boca Raton (Palm Beach County), FL; Boulder, CO; Philadelphia, PA; Akron, OH; Macon, GA; Columbus, GA; Aberdeen, SD; Grand Forks, ND; Wichita, KS; Charlotte, NC; Columbia, SC; Myrtle Beach, SC; Tallahassee, FL; Duluth, MN; St. Paul, MN; State College, PA; Fort Wayne, IN; Biloxi, MS; Detroit, MI; Lexington, KY; San Jose, CA; Bradenton, FL; Miami, FL. For 2002, the 11 regional and neighboring city areas also surveyed were: Charlotte, NC - Regional; Columbus, SC - Second City; Detroit, MI - Regional; Duluth, MN - Second City; Gary, IN - Regional; Grand Forks, SD - Second City; Lexington, KY - Regional; Philadelphia, PA - Regional; Philadelphia, PA - Second City, and Miami - Dade, FL and Miami - Broward, FL in place of Miami, FL. National surveys were also conducted in order to provide comparative benchmark measures. The surveys measured citizens' civic engagement and attitudes concerning seven topic areas: education, arts and culture, children and social welfare, community development, homelessness, literacy, and citizenship. Questions relating specifically to arts and culture include frequency of attendance at arts events or museums and satisfaction with arts and cultural opportunities.

The study was conducted by Princeton Survey Research Associates and funded by the Knight Foundation. In 1999, 17,417 telephone interviews were conducted from February 10 through December 1. In 2002, 21,722 telephone interviews were conducted from January 2 through October 3.

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Consumer Expenditure Survey (ICPSR 39136)

Released/updated on: 2024-05-29

The Consumer Expenditure Surveys (CE) program provides data on expenditures, income, and demographic characteristics of consumers in the United States. Expenditure categories include various arts-related spending categories on admissions for activities such as plays, theater, opera, concerts, as well as movies, parks, and museums. Additionally, spending on reading materials like newspapers, magazines, books, and digital book readers is covered. The survey also captures expenditure data on other arts-related items such as musical instruments, photographic equipment, audio-visual equipment, and items related to toys, games, arts, and crafts.

CE data are primarily used to revise the relative importance of goods and services in the market basket of the Consumer Price Index. The CE is the only Federal household survey to provide information on the complete range of consumers' expenditures and incomes. CE data are collected by the Census Bureau for BLS in two surveys: the Interview Survey for major and/or recurring items and the Diary Survey for more minor or frequently purchased items. Here is an overview of the CE program and its methods.

The CE program provides these data in tables, LABSTAT database, news releases, reports, and public use microdata files, including household arts spending, by demographic characteristics.

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Consumer Expenditure Survey Summary Tables, United States, 2010-2024 (ICPSR 36170)

Released/updated on: 2026-03-26
Geographic coverage: United States
Time period: 2010-01-01--2024-01-01

The Consumer Expenditure Survey (CE) program consists of two surveys: the quarterly Interview survey and the annual Diary survey. Combined, these two surveys provide information on the buying habits of American consumers, including data on their expenditures, income, and consumer unit (families and single consumers) characteristics. The survey data are collected for the U.S. Bureau of Labor Statistics (BLS) by the U.S. Census Bureau. The CE collects all on all spending components including food, housing, apparel and services, transportation, entertainment, and out-of-pocket health care costs.

The CE tables are an easy-to-use tool for obtaining arts-related spending estimates. They feature several arts-related spending categories, including the following items:

Spending on Admissions

  • Plays, theater, opera, and concerts
  • Movies, parks, and museums

Spending on Reading

  • Newspapers and magazines
  • Books
  • Digital book readers

Spending on Other Arts-Related Items

  • Musical instruments
  • Photographic equipment
  • Audio-visual equipment
  • Toys, games, arts and crafts

The CE is important because it is the only Federal survey to provide information on the complete range of consumers' expenditures and incomes, as well as the characteristics of those consumers. It is used by economic policymakers examining the impact of policy changes on economic groups, by the Census Bureau as the source of thresholds for the Supplemental Poverty Measure, by businesses and academic researchers studying consumers' spending habits and trends, by other Federal agencies, and, perhaps most importantly, to regularly revise the Consumer Price Index market basket of goods and services and their relative importance.

The most recent data tables are for 2024 and include: 1) Detailed tables with the most granular level of expenditure data available, along with variances and percent reporting for each expenditure item, for all consumer units (listed as "Other" in the Download menu); and 2) Tables with calendar year aggregate shares by demographic characteristics that provide annual aggregate expenditures and shares across demographic groups (listed as "Excel" in the Download menu).

Also, see Featured CE Tables and Economic News Releases sections on the CE home page for current data tables and news release. The 1980 through 2024 CE public-use microdata, including Interview Survey data, Diary Survey data, and paradata (information about the data collection process), are available on the CE website.

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Fast Response Survey System (FRSS): Elementary School Arts Education Survey, Fall 2009 (ICPSR 36067)

Released/updated on: 2016-05-02
Geographic coverage: United States
Time period: 2009-01-01--2010-01-01

The Fast Response Survey System (FRSS) was established in 1975 by the National Center for Education Statistics (NCES), United States Department of Education. FRSS is designed to collect issue-oriented data within a relatively short time frame. FRSS collects data from state education agencies, local education agencies, public and private elementary and secondary schools, public school teachers, and public libraries. To ensure minimal burden on respondents, the surveys are generally limited to three pages of questions, with a response burden of about 30 minutes per respondent. Sample sizes are relatively small (usually about 1,000 to 1,500 respondents per survey) so that data collection can be completed quickly. Data are weighted to produce national estimates of the sampled education sector. The sample size is large enough to permit limited breakouts by classification variables. However, as the number of categories within the classification variables increases, the sample size within categories decreases, which results in larger sampling errors for the breakouts by classification variables.

The Elementary School Arts Education Survey, Fall 2009 data provide national estimates on student access to arts education and resources available for such instruction in public elementary schools during fall 2009. This is one of a set of seven surveys that collected data on arts education during the 2009-10 school year. In addition to this survey, the set includes a survey of secondary school principals, three elementary teacher-level surveys, and two secondary teacher-level surveys. A stratified sample design was used to select principals for this survey. Data collection was conducted September 2009 through June 2010, and 988 eligible principals completed the survey by web, mail, fax, or telephone.

The elementary school survey collected data on the availability and characteristics of music, visual arts, dance, and drama/theatre instruction; the type of space used for arts instruction; the availability of curriculum guides for arts teachers to follow; the availability of curriculum-based arts education activities outside of regular school hours; and whether those teaching the subject are arts specialists. Principals also reported on school or district provision of teacher professional development in the arts; arts education programs, activities, and events; and school-community partnerships. Principals were also asked to provide administrative information such as school instructional level, school enrollment size, community type, and percent of students eligible for free or reduced-price lunch.

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Fast Response Survey System (FRSS): Secondary School Arts Education Survey, Fall 2009 (ICPSR 36068)

Released/updated on: 2016-05-02
Geographic coverage: United States
Time period: 2009-01-01--2010-01-01

The Fast Response Survey System (FRSS) was established in 1975 by the National Center for Education Statistics (NCES), United States Department of Education. FRSS is designed to collect issue-oriented data within a relatively short time frame. FRSS collects data from state education agencies, local education agencies, public and private elementary and secondary schools, public school teachers, and public libraries. To ensure minimal burden on respondents, the surveys are generally limited to three pages of questions, with a response burden of about 30 minutes per respondent. Sample sizes are relatively small (usually about 1,000 to 1,500 respondents per survey) so that data collection can be completed quickly. Data are weighted to produce national estimates of the sampled education sector. The sample size is large enough to permit limited breakouts by classification variables. However, as the number of categories within the classification variables increases, the sample size within categories decreases, which results in larger sampling errors for the breakouts by classification variables.

The Secondary School Arts Education Survey, Fall 2009 data provide national estimates on student access to arts education and the resources available for such instruction in public secondary schools during fall 2009. This is one of a set of seven surveys that collected data on arts education during the 2009-10 school year. In addition to this survey, the set includes a survey of elementary school principals, three elementary teacher-level surveys, and two secondary teacher-level surveys. A stratified sample design was used to select principals for this survey. Data collection was conducted September 2009 through June 2010, and 1,014 eligible principals completed the survey by web, mail, fax, or telephone.

The secondary school survey collected data on the availability of music, visual arts, dance, and drama/theatre instruction; enrollment in these courses, the type of space used for arts instruction, the availability of curriculum guides for arts teachers to follow, and the number of arts teachers who are specialists in the subject. Principals reported on graduation requirements for coursework in the arts; school or district provision of teacher professional development in the arts; and arts education programs, activities, and events. Principals also reported on community partnerships and support from outside sources for arts education. Furthermore, principals were also asked to provide administrative information such as school instructional level, school enrollment size, community type, and percent of students eligible for free or reduced-price lunch.

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Health and Retirement Survey 2014: Module 9 - Culture and Arts (ICPSR 36647)

Released/updated on: 2016-12-22
Geographic coverage: United States

The Health and Retirement Study (HRS) has been a leading source for information on the health and economic well-being of adults over age 50 in the United States for over 20 years. As the world changes, the HRS follows the impact of these changes on the older population.

In 2014, HRS conducted an experimental module on culture and arts to supplement its survey. This module, Module 9, asks respondents about the types of arts activities they participate in. The survey data includes information about whether in the past year, the respondent went to cultural events such as to a movie, an art museum, gallery, crafts fair, or live performance. There are follow-up variables on the frequency respondents attended these events and with whom they attend. The module also includes data on reading habits. Additionally, respondents were asked if they did the following activities:

  • Paint, sculpt, make pottery, or do ceramics
  • Sing or play a musical instrument
  • Act in theatre or film
  • Dance, including social dancing
  • Write stories, poetry, or plays
  • Weave, crochet, quilt, do needlepoint, knitting, sewing, or make jewelry
  • Do leatherwork, metalwork, or woodwork
  • Do photography, graphic design, or filmmaking?

The last portion of the module includes data on respondents' appreciation of the arts.

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High School Longitudinal Study, 2009-2013 [United States] (ICPSR 36423)

Released/updated on: 2016-05-12
Geographic coverage: United States
Time period: 2009-01-01--2013-01-01

The High School Longitudinal Study of 2009 (HSLS:09) is nationally representative, longitudinal study of 9th graders who were followed through their secondary and postsecondary years, with an emphasis on understanding students' trajectories from the beginning of high school into postsecondary education, the workforce, and beyond. What students decide to pursue when, why, and how are crucial questions for HSLS:09.

The HSLS:09 focuses on answering the following questions:

  • How do parents, teachers, counselors, and students construct choice sets for students, and how are these related to students' characteristics, attitudes, and behavior?
  • How do students select among secondary school courses, postsecondary institutions, and possible careers?
  • How do parents and students plan financing for postsecondary experiences? What sources inform these plans?
  • What factors influence students' decisions about taking STEM courses and following through with STEM college majors? Why are some students underrepresented in STEM courses and college majors?
  • How students' plans vary over the course of high school and how decisions in 9th grade impact students' high school trajectories. When students are followed up in the spring of 11th grade and later, their planning and decision-making in 9th grade may be linked to subsequent behavior.

This data collection also provides data for some arts-related topics, including the following: student participation in outside of schools arts activities; credit hours of arts classes taken; GPA from arts classes; and parent-led arts experiences.

For the public-use file, a total of 23,503 students responded from over 900 high schools both public and private.

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Local Area Arts Participation Study 1992 (ICPSR 35586)

Released/updated on: 2015-03-23
Geographic coverage: North Carolina, Broward County, Seattle, United States, Chicago, California, Florida, Washington, San Jose, Pennsylvania, Sedona, Reno, Illinois, Winston-Salem, Dade County, Arizona, Las Vegas, Philadelphia, Nevada, Pittsburgh
The Local Area Arts Participation Study 1992, sponsored by the Research Division of the National Endowment for the Arts, provides information about Americans' participation in the arts -- including ballet, opera, plays, museums, and concerts -- in 12 communities. A local sponsor in each community assisted in funding the research and helped to design sections of their local questionnaire. The study was intended to augment the 1992 national Survey of Public Participation in the Arts (SPPA), conducted by the Bureau of the Census. Each survey included three components: a "core questionnaire," common to all 12 sites, including arts participation and demographic information identical to the 1992 national SPPA; a set of questions, common to all sites but not included in the 1992 national SPPA, concerning facilities where arts participation occurred, reasons for not attending more often, and sources of information about arts events; and community-specific modules, developed by the local area partners to address specific information needs in each community. A total of 5040 respondents in 12 communities completed telephone interviews from February 12 through May 15, 1992. The 12 communities surveyed were Broward County, FL; Chicago, IL; Dade County, FL; Las Vegas, NV; Philadelphia, PA; Pittsburgh, PA; Reno, NV; rural Nevada; San Jose, CA; Seattle, WA; Sedona, AZ; and Winston-Salem, NC.
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Monitoring the Future: A Continuing Study of American Youth, 1976-2017 (ICPSR 36646)

Released/updated on: 2016-11-28
Geographic coverage: United States
Time period: 1976-01-01--2017-01-01

Monitoring the Future is an ongoing study of the behaviors, attitudes, and values of American secondary school students, college students, and young adults. Each year, a total of approximately 50,000 8th-, 10th-, and 12th-grade students are surveyed (12th graders since 1975 and 8th and 10th graders since 1991). In addition, annual follow-up questionnaires are mailed to a sample of each graduating class for a number of years after their initial participation.

Each year, large, distinct, nationally representative samples of 8th-, 10th-, and 12th-grade students in the United States are asked to respond to drug use and demographic questions, as well as to additional questions on a variety of subjects, including attitudes toward religion, parental influences, changing gender roles, educational aspirations, self-esteem, exposure to sex and drug education, and violence and crime - both in and out of school. In each grade, students are randomly assigned to complete questionnaires with a subset of topical questions in addition to a set of core questions on demographics and drug use. Each form of the questionnaire generates a corresponding data file.

Arts and culture-related data from the Monitoring the Future series includes the following topics:

  • Participation in school activities, such as music or other performing arts, sports teams, and school newspaper or yearbook clubs
  • Participation in leisure activities and hobbies, such as arts and crafts, reading, watching TV, creative writing, and sports
  • Cultural event attendance, such as music concerts, rock concerts, and movies
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National Social Survey [United States] (ICPSR 35588)

Released/updated on: 2016-05-26
Geographic coverage: United States
Time period: 2000-01-01--2002-01-01, 2001-01-01--2002-01-01, 2003-01-01--2004-01-01, 2003-01-01--2004-01-01
The National Social Survey is a series of public opinion surveys, conducted in 2002 and 2004, about quality of life in America. This series of surveys is designed to provide an in-depth view of the nation's social health by examining how Americans experience important aspects of daily life, such as social and economic well-being as well as community participation and engagement. Beginning in 2002, two surveys were fielded: one covering the nation's social health in general (National Social Survey) and the other covering the nation's social health with an emphasis on arts and culture (Survey on Arts and Culture). In addition, the Survey on Arts and Culture measured Americans' social well-being focusing on engagement in arts and culture, such as adult participation in arts and culture, children's participation in arts and culture, and the significance of the arts in people's lives. Interviewers asked to speak with the person living in the household who met the following criteria: 18 years old or older, has the next birthday, and is currently at home. The 2002 surveys collected data on 2,004 respondents. The 2004 surveys collected data on 1,601 respondents. The National Social Survey was created at the Institute for Innovation in Social Policy as part of a long-term effort to develop instruments that monitor the state of society in areas different from those that are assessed by traditional business-economic indicators.
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Performing Arts Research Coalition 2002: Household Surveys (ICPSR 35589)

Released/updated on: 2015-05-31
Geographic coverage: Indiana, United States, Cincinnati, Austin, Washington, Minneapolis, Massachusetts, Colorado, Alaska, Denver, Boston, Pittsburgh, District of Columbia, Fairbanks, Seattle, Kentucky, St. Paul, Minnesota, Florida, Pennsylvania, Sarasota, Texas, Anchorage, Ohio, Juneau
Time period: 2001-01-01--2002-01-01
The Performing Arts Research Coalition 2002: Household Surveys is a collaborative effort of five national service organizations in the performing arts. Residents of ten communities were surveyed on a series of topics related to attendance at performing arts events. The ten communities surveyed were: Alaska, Cincinatti, Denver, Pittsburgh, Seattle, Austin, Boston, Minneapolis/St. Paul, Sarasota (FL) and Washington D.C. Questions were asked regarding rates of participation, the perceived value of the performing arts to individuals and to communities, and barriers to greater attendance. Among other criteria, these communities were selected as study sites because of the presence of financially and managerially strong local arts organizations and because at least three of the five disciplines encompassed by the participating national service organizations were represented in each area. The five participating service organizations in the PARC project were the American Symphony Orchestra League, the Association of Performing Arts Presenters, Dance/USA, OPERA America, and Theatre Communications Group. The project was coordinated by OPERA America, with research guidance from the Urban Institute, and supported by a grant from The Pew Charitable Trusts. A total of 8,161 respondents in 10 communities completed telephone interviews in 2002 and 2003. PARC data include administrative surveys, audience surveys, subscriber surveys, and community/household surveys.
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Study of Jazz Artists 2001 [United States] (ICPSR 35593)

Released/updated on: 2015-03-31
Geographic coverage: New York City, San Francisco, Detroit, United States, Louisiana, New Orleans, California, New York (state), Michigan
The Study of Jazz Artists 2001 collected data on the working and living situations of jazz musicians in four cities -- New York, San Francisco, New Orleans, and Detroit. In each city, two surveys were conducted: A conventional random sample of musicians belonging to the American Federation of Musicians and a "respondent-driven sample" of jazz musicians. The American Federation of Musicians Survey collected data from 1,963 American Federation of Musicians members. Interviews were conducted by phone between March 13 and May 23, 2001, using a computer-assisted telephone interviewing system. For the Respondent-Driven Sample Survey, in-person interviews were completed with a total of 733 jazz musicians during the spring and summer of 2001.
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Survey of Public Participation in the Arts, 1997: [United States] (ICPSR 4205)

Released/updated on: 2005-09-02
Geographic coverage: United States
This data collection offers information on Americans' participation in the arts, such as ballet, opera, plays, museums, concerts, and literature, during 1997. Sponsored by the National Endowment for the Arts, and conducted by Westat Corporation of Rockville, Maryland, this survey is the fourth edition of the Survey of Public Participation in the Arts (SPPA), with prior SPPA surveys having been conducted in 1982, 1985, and 1992. Respondents were asked about their past-year participation in, and frequency of attending, art performances and events in the following categories: jazz music, classical music, opera, musicals, plays (nonmusical), ballet, other dance, art museums, arts fairs, and historical parks. Participation was tabulated for: (1) live arts events attendance, such as visiting an art museum, (2) participation in arts through broadcast and records media, such as using a personal computer (PC) to listen to/see art, and (3) personal performance or creation of art, such as composing music. Reasons for nonparticipation were also collected. Survey questions also asked about socialization in the arts, as well as about respondents' rates of participation in leisure activities other than the arts. New questions in the 1997 SPPA concerned, for example, respondents' use of a home computer in the creation of and interaction with art. New questions also asked about subscribing to series of performances and about membership at art museums. Due to the considerable differences in survey methodologies, this 1997 survey produced results that are not comparable to the 1982, 1985, 1992, or 2002 SPPA surveys. Background information includes age, sex, race, marital status, language of interview, country of birth, age when first moved to the United States, country of ancestry, education level, education level of parents, income, and general health status.
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Survey of Public Participation in the Arts (SPPA), 2012 [United States] (ICPSR 35168)

Released/updated on: 2015-10-22
Geographic coverage: United States
Time period: 2011-07-01--2012-07-01

This data collection is comprised of responses from two sets of survey questionnaires, the basic Current Population Survey (CPS) and a survey administered as a supplement to the July 2012 basic CPS questionnaire. The supplement, on the topic of public participation in the arts in the United States, was sponsored by the National Endowment for the Arts.

The CPS, administered monthly, collects labor force data about the civilian noninstitutional population aged 15 years old or older living in the United States. Moreover, the CPS provides current estimates of the economic status and activities of this population which includes estimates of total employment (both farm and nonfarm), nonfarm self-employed persons, domestics, and unpaid helpers in nonfarm family enterprises, wage and salaried employees, and estimates of total unemployment. The basic CPS data are provided on labor force activity for the week prior to the survey. In addition, CPS provides respondents' demographic characteristics such as age, sex, race, marital status, educational attainment, family relationship, occupation, and industry.

In addition to the basic CPS questions, interviewers asked supplementary questions on public participation in the arts of two randomly selected household members aged 18 or older from about one-half of the sampled CPS households. Interviews were conducted during the period of July 15-21, 2012. The supplement contained questions about the sampled member's participation in various artistic activities from July 1, 2011 through July 1, 2012. If the selected person had a spouse or partner, then the respondent answered questions on behalf of their spouse/partner. Therefore, the spouse/partner responses are proxies. If a respondent was answering for themselves and on behalf of their spouse or partner, the respondent and spouse/partner questions followed the same path through the instrument. Spouse/partner questions were asked on core participation (Core 1 or Core 2), leisure activities (Module D), and the first four questions of Module A. The total sample size of the 2012 SPPA was 35,735 American adults, ages 18 and over.

The 2012 SPPA included two core components: a questionnaire used in previous years to ask about arts attendance; and a new, experimental module on arts attendance. In addition, the survey included five modules designed to capture other types of arts participation as well as participation in other leisure activities. Respondents were randomly assigned to either of the survey's core questionnaires, and then were randomly assigned to two of the remaining five SPPA modules. Questions were asked about the type of artistic activity, the frequency of participation, training and exposure, musical and artistic preferences, school-age socialization, and computer and device usage related to artistic information. The topics were separated into the five modules (each module was administered to only a portion of the sampled cases):

  • Module A: Other Attendance and Music Preferences (reading, film, or sporting event attendance; other live performances; and music listening preferences)
  • Module B: Accessing Art through Media (using media for participation in artistic events and frequency of participation in past year)
  • Module C: Creating Arts through Media (participation in certain types of other leisure or artistic activities, public artistic performances, and using media to share activities in past year)
  • Module D: Creating, Performing, and Other Activities (sport activities, other art activities, and musical performance activities in past year)
  • Module E: Arts Learning (art related lessons or classes, respondent age during lessons/classes, location of lessons/classes, respondents' parents' education, and the participation of the respondents' school age children)